Two playschool friends Bachchan and Gokhale meet almost after 70 years for a birthday party.

8岁的托托在妈妈自杀后的第7天，遇到了一个和妈妈长相一样的女混混夏天潜入托托家中偷东西，托托觉得夏天是上天赐给她的礼物，在和夏天的相处中，托托试着一点点改变这个“另类”的女人，也慢慢接受了妈妈的死亡，在这个过程中托托不知不觉中喜欢上了这个新妈妈，却在想要真正接受假妈妈夏天时，夏天离开了，托托不知该何去何从。

8岁的托托在妈妈自杀后的第7天，遇到了一个和妈妈长相一样的女混混夏天潜入托托家中偷东西，托托觉得夏天是上天赐给她的礼物，在和夏天的相处中，托托试着一点点改变这个“另类”的女人，也慢慢接受了妈妈的死亡，在这个过程中托托不知不觉中喜欢上了这个新妈妈，却在想要真正接受假妈妈夏天时，夏天离开了，托托不知该何去何从。

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CD:UK was a British music television programme. Originally run in conjunction with SMTV Live, the programme first aired on ITV on 29 August 1998 to rival the BBC's Live & Kicking and was the replacement for The Chart Show, which had been airing on the network for nine and a half years.In contrast to its predecessor, which only showed promo videos, CD:UK was broadcast live on Saturday mornings with a studio audience and featured live performances, as well as star interviews and competitions. It also featured the Saturday Chart, which although was unofficial, usually reflected the new chart positions a day before the official chart was announced on Radio 1. This made the BBC's long-running Top of the Pops, which aired only the night before, seem very out-of-date broadcasting the previous week's chart. CD:UK later utilised an interactive chart based on viewers' votes, called the MiTracks Countdown. From 1999 to 2004, the show was sponsored by Tizer.In 2002, the programmes was criticised for showing "raunchy" performances in a slot aimed at children, sparked by a performance of "Dirrty" by Christina Aguilera. In response, a spin-off programme entitled CD:UK Hotshots, featuring music videos which could be considered unsuitable for daytime viewing, was launched in January 2003 and broadcast overnight.

Jiney is an popular art and photography student, but despite winning an award, she remains unhappy with her work. After photographing the aftermath of a fatal car accident, she finds herself obsessed with death. Suffering from morbid throughts, flashbacks of an incident from her youth when she was sexually abused by some young boys start to appear.

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All Maj. Amarjeet Singh wants is for his grandson Kunal to be as noble and brave as Amarjeet and the boy's father, Vikramjeet. But Kunal has other plans and does not wish to follow in his father's and grandfather's military legacies. Reluctantly, Kunal gives in and joins the army and ends up falling for Shweta, the widow of a fallen soldier. When the man later turns up alive, will Shweta return to him or stay with her new love?